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HomeStreaming(Page 11)

Napster Faces Backlash From Labels Again — This Time for Late Royalty Payments

21 January, 2025

Multiple labels and distributors say they're owed money by the streaming service.

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Deezer and SACEM Bring Artist-Centric Royalties to Publishing

17 January, 2025

The streaming service and PRO, both based in France, have struck a deal to bring a model championed by UMG to the publishing sector.

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Here’s How to Watch ‘Goosebumps: The Vanishing’ Online

13 January, 2025

Stream the entire spooky season available now.

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Taylor Swift, The Weeknd and Noah Kahan Propel U.K. Music Sales to Record Highs in 2024

8 January, 2025

The U.K. music industry surpasses its CD-era peak with $3 billion in sales, thanks to streaming and vinyl, according to the Digital Entertainment and Retail Association.

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Charli XCX and Taylor Swift Help Lift UK Music Streams to Record High – But Proposed AI Regulations Threaten Growth

31 December, 2024

Female artists spent 34 weeks at No. 1 on the UK's official singles chart in 2024, fueling an 11% increase in streaming for the year.

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Canadian Court Pauses So-Called ‘Streaming Tax’ on Companies Like Spotify, Amazon and Apple

27 December, 2024

The Federal Court of Appeal says the companies won't have to make payments until after their appeal on the 5% tax is heard next summer.

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‘Wicked’ Is Now Available to Stream From Home: Here’s Where to Find the Film Online

24 December, 2024

Here's how to watch the box office hit from home.

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Could Mariah Carey’s Christmas Hit be the Song of the Century? 

23 December, 2024

It’s way too early to tell. But the song’s annual streaming success makes it a possibility.

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How OBB Media Helped iHeart’s Jingle Ball & Sabrina Carpenter’s Holiday TV Special Come to Life

20 December, 2024

“It’s not just the TV special — content that brings you closer to your fans and community is an essential companion piece to the music,” says OBB Media founder/CEO Michael D. Ratner.

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Why SiriusXM Pivoted Away From Its Streaming App 

13 December, 2024

Only a year after the launch of the app, which failed to take off with its intended audience, the company decided to re-emphasize its strong suit: in-car listening.

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