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HomeSESAC

The Plot Against the PROs: How Many Is Too Many?

24 April, 2025

The US had three collecting societies — then four, and now six. Some clubs and radio stations seem to think that’s too many. And, perhaps, that any are too many.

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Blackstone Is Fielding Private Equity Offers For SESAC. But Is the PRO Up For Sale?

31 December, 2024

Following ownership moves at BMI and GMR, SESAC is the latest performance rights organization to receive interest from financial investors as the sector heats up.

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SESAC Performance License Rates See 10.4% Increase for 2023-2026 Licensing Period

4 November, 2024

The rate decision, which comes after an arbitration process, is retroactive to Jan. 1, 2023.

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SESAC Music Group Acquires Rights Management Firm HAAWK

28 October, 2024

HAAWK’s headquarters will remain in Los Angeles under the leadership of Ryan Born, who founded the company in 2017.

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James Leach, Longtime SESAC Executive, Dies Following Cancer Battle

19 October, 2024

The well-respected executive’s multi-faceted legacy includes posts with Michael Jackson’s ATV Music and Famous Music and signings such as Akon and George Clinton.

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Jack Harlow’s Winning Streak at SESAC Music Awards Continues

18 September, 2024

Sony Music Publishing was named publisher of the year for the third year in a row.

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Luciano Luna to be Saluted at 2024 SESAC Latina Music Awards

22 May, 2024

Latin Grammy-winning songwriter and producer Luciano Luna will receive the SESAC Legacy Award.

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Music Biz 2024: Why SESAC’s John Josephson Thinks the PRO Can ‘Double or Triple’ Its Market Share

17 May, 2024

"We win by delivering better service and more money," Josephson said in a wide-ranging interview at the annual conference.

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SESAC Chooses KOSCAP to Represent Its Repertoire in Korea

5 March, 2024

The move away from the country's older CMO comes with a deal for subsidiary Audiam to represent KOSCAP's repertoire in the U.S.

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Why Christian Artists Face Uphill Battle to Get Paid Same as Their Secular Counterparts (Guest Column)

13 December, 2023

As an industry, we need to acknowledge why Christian writers and publishers feel penalized — and what can be done to change it.­­

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