Noise begets noise begets noise: when everything is content, is anything real?
Ambient music has been on the rise in the streaming era. But with royalty reform and the threat of AI-generated sounds, its future is still uncertain.
As mashups and sped-up/slowed-down remixes take over TikTok feeds, new apps are rising to help everyone participate in the trend. One obstacle remains: fractional licensing.
As AI music continues to flood the internet, streaming services are tasked with the challenge of curbing its fast-growing risks. How are top services handling it?
Between the the majors suing Suno and Udio, the ELVIS Act protecting voices against deepfakes and “BBL Drizzy” setting legal precedent, it’s been a big year for AI music.
Over the last two days, Drake has alleged that UMG artificially inflated the streams of Kendrick Lamar's "Not Like Us." Here, Billboard analyzes his claims.
After UMG's $500 million copyright infringement lawsuit against Believe, Billboard explores what serious distributor reform would look like — and if it is a good idea.
As many as “75% of popular songs on TikTok started with a creator marketing campaign,” guesses one major label marketer. Is that a problem?
After a summer marked by lawsuits and reports of slow adoption, the initial honeymoon or "hype" phase of generative AI music is over. That doesn't mean it's the end.
Mash-ups and AI edits of Kamala Harris with songs by Beyonce, Charli XCX and more show that music fans don't just want to play music — they want to play with it too.
