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HomeEarnings Reports

Q1 Earnings Report Takeaways: Cost-Cutting Impacts, Subscription Growth & More

16 May, 2025

With most music companies’ quarterly reports now in, here’s a look at the major trends — including what’s happening with ad revenue.

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Deezer Ekes Out Quarterly Revenue Increase on Growing Subscriber Base in France

29 April, 2025

The Paris-based streamer saw a 1.1% increase in revenue to 134 million euros ($145.08 million).

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Believe Revenue Rose 12% to $1 Billion in 2024

13 March, 2025

The company forecasts organic growth of 13.0% in 2025 despite “limited ad-funded streaming growth.”

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Spotify Subscription Revenue Soars in Q3, Operating Profit Hits Record High

12 November, 2024

This year's quarterly results have shown improvements in margin and profitability without sacrificing subscriber growth.

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How’s Deezer Doing? French Streamer Posts 11% Jump in Revenue

31 October, 2024

The DSP says there’s “potential” for more price increases after two hikes in recent years. 

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BMG CEO Says Digital Distribution Changes Are ‘Paying Off’ as Company Reports 11% Revenue Gain

28 August, 2024

Overall revenue in the first half of 2024 rose to $491.7 million for the German music company, with digital revenue jumping 20%.

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CTS Eventim Revenue Jumped 21% in Q2 on See Tickets Acquisition, Strong Festival Business

22 August, 2024

The quarter was boosted by the June acquisition of the ticketer from Vivendi and a solid performance from its live entertainment division.

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Music Companies Are Running Into Wall Street’s High Expectations

16 August, 2024

Label and publisher stocks that soared in 2023 are mostly down this year, as some souring indicators have created uncertainty among investors.

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iHeartMedia Managed a 1% Revenue Gain in Q2 Thanks to Digital and Podcasts

9 August, 2024

The digital audio segment accounted for 31% of iHeart's revenue, up from 28% a year earlier.

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What Else You Should Know About WMG’s Q3 Earnings Call: Subscription Gains, Spotify & ‘Brat’ Summer

8 August, 2024

It’s all about streaming — the artists doing the best, how it helps Warner’s catalog and CEO Robert Kyncl's insistence that Spotify is not a proxy for the industry.

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