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HomeChart Beat(Page 8)

Forever No. 1: Connie Francis’ ‘Everybody’s Somebody’s Fool’

18 July, 2025

Francis' first No. 1 was an irresistible pop confection; a one-listen smash.

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Russell Dickerson’s ‘Happen to Me,’ Bailey Zimmerman & Luke Combs’ ‘Backup Plan’ Hit Country Airplay Top 10

18 July, 2025

Plus, Morgan Wallen’s “Just in Case” leads for a third week.

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K-pop Rules as Netflix’s ‘KPop Demon Hunters’ Soundtrack Holds ARIA No. 1

18 July, 2025

Justin Bieber also makes a strong return with Swag, his seventh studio album and first release since 2021’s Justice.

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Chart Rewind: In 2004, Tim McGraw Landed His Longest-Leading No. 1 With ‘Live Like You Were Dying’

17 July, 2025

The award-winning ballad marked the 20th of his 26 Hot Country Songs chart-toppers.

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Bruce Springsteen Is Bigger Than Ever As His Latest Tour Earns Over $700 Million

16 July, 2025

The Boss's 2023-25 tour wrapped earlier this month with more than twice the gross sales of his previous best-selling tour.

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Jackboys, Justin Bieber, Clipse: All the Contenders for Big Debuts on Next Week’s Billboard 200

16 July, 2025

In this week's The Contenders, Travis Scott's crew and Bieber's surprise album are duking it out with Morgan Wallen and 'KPop Demon Hunters' for Billboard 200 supremacy.

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tobyMac Lands Latest Christian AC Airplay No. 1: ‘We Grow Stronger When We Lift Each Other Up’

16 July, 2025

“A Lil Church (Nobody’s Too Lost)” becomes the genre cornerstone's 12th leader.

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Morgan Wallen’s ‘I’m the Problem,’ Kendrick Lamar & SZA’s ‘Luther’ Lead Luminate’s 2025 Midyear Rankings

16 July, 2025

I’m the Problem and “Luther” were Luminate's most popular album and most-streamed audio song in the first half of the year in the United States.

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Kapo Shakes Up Latin Albums Charts With ‘Por Si Alguien Nos Escucha’: ‘I Declared That I Was No. 1′

15 July, 2025

The Colombian’s sophomore set opens at No. 1 on the Top Latin Pop Albums chart.

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Toby Keith’s ‘35 Biggest Hits’ Skyrockets on Charts After Independence Day

15 July, 2025

The set surges 43-9 on the Billboard 200, fueled largely by "Courtesy of the Red, White and Blue (The Angry American)."

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