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Homeanalysis(Page 8)

Spotify Isn’t Supporting 1M Creators Yet — But It’s Working on It 

17 March, 2023

In 2022, a quarter of the 57,000 artists who earned $10,000 or more in royalties from Spotify in 2022 are self-distributed.

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With K-Pop ‘in Crisis,’ HYBE Is Focused on Global Expansion Beyond the Genre

16 March, 2023

Chairman Bang Si-hyuk says HYBE must have a “sense of urgency” in efforts to grow outside its home country.

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Will Morgan Wallen Fend Off No. 1 Challenges From Miley Cyrus and TWICE On The Billboard 200? 

15 March, 2023

In this week's The Contenders: Cyrus’ Endless Summer Vacation is the highest-profile new release, but a global sensation's new EP might have the best shot at dethroning Wallen’s juggernaut.  

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U.S. Recorded Music Growth Slowed to a Crawl in 2022

10 March, 2023

In terms of both dollar and percentage increases, last year’s growth was the lowest since 2016.

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Could Karol G Make History by Topping the Billboard 200?

1 March, 2023

Karol’s Mañana Será Bonito is challenging for the top spot, with new sets from Gorillaz and Yeat not far behind.

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The Ledger: Can Ticket Fees Really Be Killed?

24 February, 2023

There have been calls to eliminate or cap fees tacked onto concert ticket prices. But consumers probably won’t be able to avoid them.

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What’s TikTok Trying to Prove by Turning Off Music in Australia? 

24 February, 2023

The short-form video app known for breaking viral hits, is using music in a different way Down Under.

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The Ledger: Are Music Streaming Revenues Still Healthy?

18 February, 2023

Streaming is strong, but issues pose some danger. Warner Music Group streaming revenues fell for some reasons that won't affect other companies.

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The Contenders: How Will Paramore’s Sales Compete With SZA’s Streams on the Billboard 200?

15 February, 2023

Also this week — a new album from Pierce the Veil, and resurgent sets from Rihanna and Post Malone. 

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How the 2023 Rock & Roll Hall of Fame Nominees’ Sales & Streams Stack Up

2 February, 2023

Commercial success alone doesn't decide whether an artist will get voted in — but it doesn't hurt.

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